And the answer is… The Lumiere Gramophone (HMV Model 460). Well done to those of you who answered correctly!
The Lumiere Gramophones were a great novelty of 1924, making a highly successful debut at the Piccadilly Hotel, London, on Wednesday 22nd October an esteemed audience.The HMV Model 460 was introduced in early 1925, and is unique by virtue of its Lumiere pleated diaphragm instead of a conventional horn. This enabled the tone arm and sound box to be eliminated and in theory would have been cheaper to make (the price tag didn’t reflect this). The sound produced was less directional than a horn, but as the diaphragm was fragile and easily damaged, the 460 was removed from the catalogue after about a year. The cabinets were then used for the Model 461 which used a conventional internal horn and soundbox. It originally cost £22 in Oak, and £25 in mahogany.
And the answer is… The Peter Pan Clock Gramophone. Well done to those of you who answered correctly!
The Peter Pan Clock Gramophone was a relatively simple ‘talking clock’ from mid-1920’s onwards. By winding both the clock and gramophone motor, setting the desired alarm time and placing the needle on the record, the record would play when triggered by the alarm. The alarm itself was patented and sold in France, but had a Swiss motor and diaphragm.
“We realised how many different degrees of smells there are in the world”
-William Gaisberg’s observation of Hyderabad, India
Name: William Conrad Gaisberg
Born: 26th June 1877
Resident: Born in Washington DC, USA
Occupation: Recording engineer, managing director & head of London Recording Department
Loves: Travelling, opera, pushing the boundaries of music and his brother (Fred)
In 1894, Fred Gaisberg came to work at Emile Berliner’s laboratory in Washington D.C. Shortly afterwards he was joined by his school friend William Sinkler Darby and also by his younger brother William [Gaisberg], who had previously worked for a period of time as a recording engineer with the Berliner Gram-O-Phone Company in Canada. It was during this period in America where Berliner imparted his knowledge of the secrets of disc record-making to these young men. Within a few years the three of them moved to Europe, where, as recording engineers, they became the most important figures in The Gramophone Company’s staff.
-Recording in the Vatican, Recording in the Vatican, April 1902. Left to right: William Michaelis, the castrato Alessandro Moreschi and William Gaisberg
William Gaisberg’s enthusiasm and enterprising nature led him to take over many of his brother’s duties, which included managing and leading the third recording tour of India. The third tour began at Calcutta in 1906, and then proceeded onto Lucknow, Delhi, Lahore, Hyderabad and Madras.
Despite the Gramophone Company’s dominant position and success in the talking machine and disc record trade in Asia, It could not rest on its laurels of achievement, as American recording companies such as The Columbia Phonograph Company began making great advances. This motivated William to record artists of a higher repute and achieve a product of a much higher quality.
Gaisberg sought to record vocalists associated within the theatrical circuit, which resulted in him making the first recordings of Miss Janki Bai of Allahabad. He also placed emphasis on recordings of Gauhar Jaan, whose status had grown significantly, earning the reputation as a ‘Gramophone celebrity’.
In 1910 at the age of 33, William became manager of the Recording department, where he provided a vital link between the head office and its overseas territories.
In October 1918, a month before the Armistice was signed, The Gramophone Company became involved in a project to record the sound of the war. The reasoning behind the venture was that if there were to be no more war, then for the benefit of posterity, it was important to record and document the sounds of battle.
The Company elected to send William to the Western Front. It was in the French city of Lille that he recorded The Royal Garrison Artillery firing off a gas barrage. By the time the recording was completed, the war was over. Gaisberg had been slightly gassed during the expedition, and fell victim to the flu pandemic and tragically died a month later in November 1918.
October 12, 2014 marks the 50 Year anniversary of the unveiling of the Moog modular synthesizer at the Audio Engineering Society’s (AES) New York convention. On that day in 1964, Dr. Robert Moog introduced the world to a completely new type of instrument that would go on to change the course of music history and influence decades of future instrument design. Told by a Moog engineer, Moog Historian, and Bob Moog himself, this mini-documentary explores Moog Music’s quest to resurrect the original methods, materials and designs used in the foundational modular synths. Through recreating Keith Emerson’s modular system, Moog Music rediscovers the power, elegance, and enduring legacy of its first instruments.
Find out more at http://www.moogmusic.com/products/mod…
Footage of Keith Emerson from the film “Isle Of Wight” used with permission of Murray Lerner.
Photo of Keith Emerson & Bob Moog at by Mark Hockman
Chinese Rhythm, 78rpm Decca shellac disc by Alfredo Campoli and his salon orchestra
Thank you to our friends from the EMI Archive Trust for sharing this great piece from their collection. The EMI Archive Trust holds an extensive collection of 78 rpm shellac discs from accross the Gramophone Company, EMI and other privately donated collections.
This is Chinese rhythm by Alfredo Campoli and his salon orchestra F.6659.
The Trust and the Hound welcome any factual information you may have about the disc. So please feel free to get in touch.
© EMI Group Archive Trust
All usage to be cleared by EMI Group Archive Trust
Tune in tomorrow early 03:32 GMT or stay up late 23:32 GMT for BBC WORLD SERVICE documentary – Delivering the King’s Speech! This programme explores the fascinating history of royalty releasing records, and incorporates rare material from the EMI Archives and an interview with EMI historian Tony Locantro.
Marking the 75th anniversary of King George VI’s declaration of war against Germany, Louise Minchin relates the untold story of how the King’s Speech reached the entire world.
Inspired by the discovery of the original pressing of the speech in the EMI Archives – mounted in goatskin leather and signed by the King himself – Louise uncovers how the King’s words reached the furthest corners of the British Empire. Starting with the fascinating history of royalty releasing records, and incorporating rare material from the EMI Archives and interview with EMI historian Tony Locantro.
Delivering The King’s Speech delves into the earliest days of the BBC Empire Service (later to become the BBC World Service) to find out how the King’s message was sent across the globe and how it enabled the Empire Service to win the fight against the anti-British propaganda broadcast by the Germans.
If you’re neither an early bird nor a night owl you can also tune in throughout the day!
8:05 GMT – 14:32 GMT – 19:05 GMT
A TBI Media Production for BBC World Service.
Thank you again to our friends from the EMI Archive Trust for sending this great picture of Sir John Mills playing the role of Captain Scott in ‘Scott of the Antartic’ 1948.
When Captain Robert Falcon Scott embarked upon the Terra Nova expedition to Antarctica and the South Pole in 1910 he took with him two HMV ‘Monarch Gramophones’, loaned by The Gramophone Company, and several hundred 78rpm shellac discs specifically chosen to boost the team’s morale. Read more about it here! http://www.emiarchivetrust.org/captain-scotts-gramophone/ Usage Rights All usage to be cleared by EMI Group Archive Trust Image of Sir John Mills as Captain Scott in the film ‘Scott of the Antartic’ 1948 from The Voice Magazine