BBC Radio-90 Years Old- 5.33pm Nov 14 2012

Today Wednesday 14 November the BBC marks the 90th anniversary of its first broadcast by playing a specially commissioned composition by Damon Albarn to radio listeners around the world at 1733 GMT.

More than 55 BBC radio stations will come together for Radio Reunited – the first attempt at a simultaneous broadcast since what was then the British Broadcasting Company was formed in 1922. Each BBC station will play the composition, entitled 2LO Calling – a combination of specially written music, iconic sounds from radio’s past and present, and messages to the future from listeners around the world.

You can download the piece and find out more about the 90th anniversary by going to www.bbc.co.uk/reunited

Neville Thiele (4 December 1920 – 1 October 2012)

On October 1st Australian audio industry icon (Dr Albert) Neville Thiele, OAM, passed away aged 91.

Neville was one of the most influential figures in audio, and is best known for his role in the development of the ‘Thiele-Small parameters’. As a consequence, virtually every loudspeaker in the world has a specification sheet with these parameters.

Joining EMI (Australia) Ltd., he was employed as a design engineer on special projects, including telemetry. With the start of television in Australia, he spent six months of 1955 in the laboratories of EMI at Hayes, Middlesex, and associated companies in Scandinavia and the United States, and on return to Australia he led the design team that developed EMI’s earliest Australian television receivers. Appointed Advanced Development Engineer in 1957, he was responsible for applying advanced technology in EMI Australia’s radio and television receivers and electronic test equipment.

 

Neville Thiele on Alan Blumlein

Mojo at Abbey Road – Electronic Music

Mojo ask Daniel Miller, Andy McCluskey, Martyn Ware, Mark Jones, Trevor Jackson, Matthew Herbert and Bill Brewster their thoughts on electronic music.

Electrospective-The Remix Album (2CD) release date 27 August 2012-  EMI Gold

shop.electrospective.com

Daphne Oram’s 1960′s Optical Synthesizer Oramics Machine – Electronic Music Pioneer

In the early ’60s, pioneering British composer Daphne Oram set out to create a synthesizer unlike any other, she called it the Oramics machine

Commissioned by The Science Museum, London. Directed, Produced, Filmed and Edited by Nick Street and Jen Fearnley.

Science Museum Oramics to Electronica: Revealing Histories of Electronic Music  Until Saturday 01 December 12  oramics.aspx

The oldest-known EMI recording desk

By Brain Kehew

This mixer is the oldest-known EMI recording desk in existence. It was a bespoke design made for Abbey Road studios (then called the EMI Recording Studios Ltd.) When the studio complex was young, there was very little commercially-made studio equipment; so studios built their own. This desk is an early example of almost 50 years of EMI desk designs. (It is likely there were at least two more of these desks, as the studio had three main studios in operation.)

The desk has two “scenes” which are level settings for 5 microphones; one scene on the Left and one on the Right. The engineer would fade from one pre-set scene to the other using the centre fade control. This allowed quick transitions between microphone setups, as linear controls (now called faders) were not yet common.

Below each of the 5 level controls are on/off switches, with corresponding green and red lamps above to indicate the on/off setting for each input.

This photo shows the desk in use at Abbey Road in the 1940s, with staff engineers Laurie Bamber and Chick Fowler.

Florrie Forde’s lost Blue Plaque

By Roger Neil

In 2006 I proposed to English Heritage that they put up one of their Blue Plaques in London to the music hall legend, Florrie Forde. They were enthused and started the apparently long and arduous task of researching her life and work and homes.

Florrie was born in Melbourne, Australia, in 1876 and ran away from home at sixteen to Sydney to go on the stage. There she was seen by a British star of the day who was touring Australia, GH Chirgwin and, encouraged by him, moved to London, where she made her debut at three separate halls on the same evening.

Her inexhaustible vocal power and engaging personality equipped her ideally to become queen of the music hall chorus-song – amongst them “Down at the Old Bull and Bush”, “Hold your hand out, naughty boy”, “She’s a lassie from Lancashire”, “Oh!Oh! Antonio”, “It’s a long way to Tipperary”, “Pack up your troubles in your old kit bag”, “Daisy Bell” (Daisy, Daisy, give me your answer do…), “I do like to be beside the seaside”, “Fair, Fat and Forty” and many more. She was also a famous Principal Boy in panto and starred in the first Royal Variety Performance in 1912.
Florrie Forde died in Aberdeen in April 1940 after entertaining wounded sailors. What a trouper. In his curmudgeonly poem, “Death of an Actress”, Louis MacNeice recalled her “elephantine shimmy” and “sugared wink”.
Here she is, very movingly, in the flesh:

http://youtu.be/oYWygJSetbA

Now, six years on from my original proposal, English Heritage has just dropped her from their shortlist, with the explanation that their budget has been cut and that anyway she lived mostly at Shoreham-by-Sea in Sussex. While she was working? I don’t think so.

And what took them six years to discover this? No wonder their budget has been slashed.

Love this article and want to read more by Roger – go to  http://rogerneill.blogspot.co.uk/

Joe Batten’s Book: The Story of Sound Recording

SOTH would like to thank our latest contributor Michael Lloyd-Davies for his insightful review on the memoirs of Joe Batten – pioneer recording manager.   

By Michael Lloyd-Davies

 

 In his foreward to Joe Batten’s memoirs, Joe is described by Sir Compton McKenzie as “that other great recorder” bracketed with Freddy Gaisberg. Joe Batten’s story is perhaps wider in its horizons. The core of the book is the excitement of pioneer recording from wax-cylinder to L.P., in which mechanical hazards and progress are described as an explorer could write of his adventures.

The period before the First World War saw sound recording grow from being a novelty toy to become an industry full of innovation and eventually accepted as a serious medium and art form by both artists and the public.

Joe was one of the pioneers who began as a pianist accompanying vocalists in recording rooms as early studios were known, to become the artistic manager for Edison Bell, and later, the Columbia Graphophone Company which merged in 1931 with The Gramophone Company to form Electric and Musical Industries Ltd (EMI).

At EMI he formed the Special Recording Department which was located at new studios at Abbey Road. This venture began making sponsored shows for the Commercial Radio companies which were springing up in the mid 1930’s. The department was almost immediately shut down at the outset of the Second World War but re-opened to make recordings for the troops through ENSA up to 1945.

In the last five years of his 50 year career in the music industry, Joe made some notable recordings including two historical events, the silver wedding of King George VI and Queen Elizabeth and the wedding of H.R.H. Princess Elizabeth and the Duke of Edinburgh.

Inevitably Joe Batten amassed a vast number of friends and memories in the musical concert and light opera fields and it is fitting that the book (out of print since the first edition in 1956) should close with select memories of the life and times at The Savage Club, London’s last bohemian rendezvous where Joe Batten concluded his life as he began it – accompanist to those spontaneous musical evenings which from the West End to the East were once such a feature of London Life.

Joe retired in 1950 but died five years later before his memoirs were published.

Joe Batten’s Book: The Story of Sound Recording is now available via Kindle Book Store: www. https://www.amazon.co.uk/dp/B007Q1U4RA

The arrival of wire-less

By Roger Neil

I found this interview with Guglielmo Marconi in Leslie Baily’s BBC Scrapbooks. It was conducted in 1896 shortly after Marconi had installed a transmitter on the roof of the GPO and a receiver in a building on the Thames Embankment, 500 yards away.

 
“Was the message quite clearly received?” asked the American reporter.
“Quite clearly.”
“And do these waves really pass through things?”
“I am forced to believe the waves will penetrate anything and everything.”
“Won’t fog prevent them?”
“No, sir, nothing prevents them.”
“Do you mean to say, Mr Marconi, that I could send my report of this interview from London to New York?”
“Please remember wireless is a new field. With regard to the future, so far as I can see it does not present any impossibilities to signal to New York.”

Wire-less communication. One of the most important inventions of the past 100+ years?

Love this article and want to read more by Roger then go to  http://rogerneill.blogspot.co.uk/

Revealed: the secrets of Captain Scott’s playlist

New album is compiled from gramophone recordings explorer took on ill-fated journey to the Antarctic

This article was written by Adam Sherwin published by The Independant,  Thursday 10 May 2012

 Huddled together inside their hut while blizzards raged outside, Captain Scott and his men found solace in the gramophone records of comical music hall hits, operettas and stirring anthems which the doomed explorer transported with him to the South Pole.

A century on, the original recordings that lifted spirits and prompted moist-eyed thoughts of home during Robert Falcon Scott’s ill-fated expedition are being released on Monday on an EMI album, compiled using the journals left by the expeditionaries.

When Scott embarked upon the Terra Nova expedition in 1910, he took with him two HMV “monarch” gramophones, donated by The Gramophone Company, which later became EMI, together with several hundred 78rpm discs, chosen to boost the team’s morale.

The 25 men who shared the hut played discs ranging from celebrity classical recordings to the most popular musical hall performers and hits from the latest musical shows.

One of the gramophones was kept with Scott in the Cape Evans base-camp hut, which survives in Antarctica today, with the other moved to the Northern Party’s smaller hut at Cape Adare.

Scott noted: “Meares has become enamoured of the gramophone. We find we have a splendid selection of records.”

Scott and his final four companions perished during a desperate return journey, after reaching the Pole in January 1912 only to find that a rival team led by Norwegian Roald Amundsen had beaten them to it by 33 days. But Scott’s gramophone was rescued and returned to the Gramophone Company – it is currently on display at a major exhibition about the expedition at the Natural History Museum – and the diaries kept by his team of scientists record the vital role the recordings played in lifting spirits.

A team of archive experts at Abbey Road transferred and mastered the original recordings from the EMI archive to produce the double album, released in June, called Scott’s Music Box. Some have dubbed the eclectic 48-track selection, “Captain Scott’s iPod”.

The musical tastes reflect a class divide. Tony Locantro, who compiled the sleeve notes for the CD, wrote: “The serving men of the Terra Nova generally liked the songs from the musicals, dance tunes and musical hall items, especially comic songs and sketches.

“The officers apparently preferred something more cultured like stirring ballads and operatic arias.”

Tracks range from “The Dollar Princess Two-Step” by Black Diamonds Band and “Stop Your Tickling Jock!” by Harry Lauder, to “Trafalgar March” by the Band of the Coldstream Guards and Enrico Caruso’s “Mattinata”.

EMI hopes the album will demonstrate the inspirational role music can play in people’s lives.

http://www.independent.co.uk/arts-entertainment/music/news/revealed-the-secrets-of-captain-scotts-playlist-7729182.html

If your interested in learning more about Captain Scott’s Gramophone check out EMI Group Archive Trust website http://www.emiarchivetrust.org

To see Captain Scott’s Gramophone and learn more visit  The Natural History Museum exibition ‘Scott’s Last Expedition’ 20 January – 2 September 2012 

http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/scott-last-expedition//index.html