Winner, Scott’s Last Expedition

The Natural History Museum won the Best of the Best award at the Museums and Heritage Awards for Excellence 2013 ceremony last night.

Scott’s Last Expedition took the award for Best Temporary or Touring Exhibition, recognising the innovative approach it took to revealing the tales of endurance and scientific achievements of Robert Falcon Scott’s epic Terra Nova expedition.

The exhibition was a partnership with the Canterbury Museum in New Zealand, where it is currently open until 30 June, and with the Antarctic Heritage Trust.

When Scott embarked upon the Terra Nova expedition in 1910, he took with him two HMV “monarch” gramophones, donated by The Gramophone Company, which later became EMI, together with several hundred 78rpm discs, chosen to boost the team’s morale.

Scott’s gramophone was rescued and returned to the Gramophone Company – it is currently on loan from The EMI GROUP ARCHIVE TRUST as part of this major exhibition about the expedition.

$(KGrHqZ,!rQE-ZKL,-eGBPoKBVlNmQ~~60_35[1]

The gramophone on which Scott and his men listened to music hall and opera at the bottom of the world.

If your interested in learning more about Captain Scott’s Gramophone check out the EMI Group Archive Trust website http://www.emiarchivetrust.org

For a flavour of what were the happening sounds in Antarctica 100 years ago the hound recommends. SCOTT`S MUSIC BOX Music from Terra Nova. The British Antarctic Expedition (1910-1913) EMI Gold http://www.mdt.co.uk/scott-s-music-box-music-expedition-1910-1913-emi-gold-2cds.html

Neville Thiele (4 December 1920 – 1 October 2012)

On October 1st Australian audio industry icon (Dr Albert) Neville Thiele, OAM, passed away aged 91.

Neville was one of the most influential figures in audio, and is best known for his role in the development of the ‘Thiele-Small parameters’. As a consequence, virtually every loudspeaker in the world has a specification sheet with these parameters.

Joining EMI (Australia) Ltd., he was employed as a design engineer on special projects, including telemetry. With the start of television in Australia, he spent six months of 1955 in the laboratories of EMI at Hayes, Middlesex, and associated companies in Scandinavia and the United States, and on return to Australia he led the design team that developed EMI’s earliest Australian television receivers. Appointed Advanced Development Engineer in 1957, he was responsible for applying advanced technology in EMI Australia’s radio and television receivers and electronic test equipment.

 

Neville Thiele on Alan Blumlein

Mojo at Abbey Road – Electronic Music

Mojo ask Daniel Miller, Andy McCluskey, Martyn Ware, Mark Jones, Trevor Jackson, Matthew Herbert and Bill Brewster their thoughts on electronic music.

Electrospective-The Remix Album (2CD) release date 27 August 2012-  EMI Gold

shop.electrospective.com

Our bodies in 3D

Science Museum September Talk by: Professor Adrian Thomas, Clinical Director for Radiology for South London Healthcare NHS Trust

Thursday 20 September 2012, 4 – 5pm

In 2009, the Science Museum’s centenary year, the public voted the x-ray machine as the most important object in its collections.

Arguably the CT (computerised tomography) scanner, which was announced to the public in 1972, is the second most important development in medical imaging. The CT scanner completely transformed medical practice by allowing 3D maps of the internal human body to be generated. There must be few now who have not benefited either directly or indirectly from this innovation.

The story of the development of the CT scanner is fascinating, as is the life of its inventor Sir Godfrey Hounsfield FRS, whom the speaker met on many occasions. The prototype CT scanner was installed at Atkinson Morley’s Hospital and is now on display in the Science Museum’s Making the Modern World gallery. The talk looks at the historical and clinical context of the CT (EMI) scanner, and at the intriguing story of Godfrey Hounsfield, who left school with no qualifications and who ended up transforming medicine and receiving the Nobel Prize.

The talks will be in the Science Museum’s Lecture Theatre on the ground floor of the museum, are open to all and are free to attend. No booking is necessary and seats are available on a first come first served basis.

If you have any queries, or would like to be notified of future Science Museum Talks and events, please contact Selina Pang, Collections Coordinator at

CuratorialServices@sciencemuseum.org.uk

American Harrison Dillard, oldest 100-meter Olympic champion, honored in London

In 1948 two Olympic Torches were made by E.M.I Ltd, designed by Ralph Lavers and donated to the Organising Committee of the XIV Olympic Games.

LONDON 2012 - the oldest 100-meter Olympic champion is back in London for the games. 89-year-old American, Harrison Dillard, was honored Wednesday at Britain’s Foreign Office where the 1948 EMI Torch from those London games is on display. 

By: PAISLEY DODDS , first published by StarTribune, Associated Press, 1 August 2012

LONDON – The oldest 100-meter Olympic champion is back in London for the games — only this time as a celebrated athlete, not a scrawny kid from Cleveland who botched the hurdles only to win the gold in 1948.

Harrison Dillard, 89, was honored Wednesday at Britain’s Foreign Office where the 1948 torch from those London games in on display.

“It’s heavy!” the man, also known as `Bones’ because of his lanky youthful appearance, said as he held the silver torch.

As a world record holder, all eyes were on Dillard in 1948 to win the 110-meter hurdles. But when the day came, the American knocked down several hurdles and failed to finish the race.

He tried again in the 100-meter dash, winning in 10.3 seconds — a surprise to his teammate and favorite Barney Ewell, who did a premature victory dance thinking he had actually won.

Four years after London, Dillard went on to win the 100-meter hurdles in Helsinki.

“That’s one of the beauties of the Olympic Games, that they occur every four years,” Dillard told The Associated Press. “The athlete who fails in the first, assuming that he can maintain the necessary physical ability plus the emotional and mental ability, has a chance to redeem him or herself. I certainly had that good fortune.”

The 1948 games were the first time that Olympic judges had the benefit of using photo finish technology, which helps the naked eye in determining who crossed the finish line first.

Dillard, who now lives in the Cleveland suburb of Richmond Heights, said today’s athletes such as Jamaican sprinter Usain Bolt have benefited from advances in technology, equipment, medical knowledge and nutrition.

“He’s much bigger, stronger and much faster, of course, on the clock, but that’s not true only of Usain but all the athletes who are competing today,” Dillard said.

What’s the trick?

“Evolution,” Dillard laughed.

A lot has changed in Dillard’s life since he competed in the 1948 London games, held as Britain and the world struggled to recover from World War II.

“In my day, it was purely amateur. You represented your country, period,” he said. “They are now able to make it a profession.”

But London itself has also changed, said Dillard, who went on to work for the Cleveland Indians.

“It’s such a big city, almost monstrous,” he said of London. “Not like Cleveland, unfortunately, being an industrial city that has lost half its population and many of its industries.”

Dillard was inspired by another track and field athlete from Cleveland — Jesse Owens — who won four gold medals in the 1936 Summer Olympics in Berlin.

When asked what event he was most looking forward to this week, Dillard said it wasn’t the 100-meter dash.

“It’s my family getting here,” he said. “It’s the first time my daughter and three grandkids have ever been to London. It’s going to be a special time.”

To learn more about 1948 Olympic torch go to:

http://soundofthehound.com/tag/1948/ 

http://www.torchtrophytrust.org/

Joe Batten’s Book: The Story of Sound Recording

SOTH would like to thank our latest contributor Michael Lloyd-Davies for his insightful review on the memoirs of Joe Batten – pioneer recording manager.   

By Michael Lloyd-Davies

 

 In his foreward to Joe Batten’s memoirs, Joe is described by Sir Compton McKenzie as “that other great recorder” bracketed with Freddy Gaisberg. Joe Batten’s story is perhaps wider in its horizons. The core of the book is the excitement of pioneer recording from wax-cylinder to L.P., in which mechanical hazards and progress are described as an explorer could write of his adventures.

The period before the First World War saw sound recording grow from being a novelty toy to become an industry full of innovation and eventually accepted as a serious medium and art form by both artists and the public.

Joe was one of the pioneers who began as a pianist accompanying vocalists in recording rooms as early studios were known, to become the artistic manager for Edison Bell, and later, the Columbia Graphophone Company which merged in 1931 with The Gramophone Company to form Electric and Musical Industries Ltd (EMI).

At EMI he formed the Special Recording Department which was located at new studios at Abbey Road. This venture began making sponsored shows for the Commercial Radio companies which were springing up in the mid 1930’s. The department was almost immediately shut down at the outset of the Second World War but re-opened to make recordings for the troops through ENSA up to 1945.

In the last five years of his 50 year career in the music industry, Joe made some notable recordings including two historical events, the silver wedding of King George VI and Queen Elizabeth and the wedding of H.R.H. Princess Elizabeth and the Duke of Edinburgh.

Inevitably Joe Batten amassed a vast number of friends and memories in the musical concert and light opera fields and it is fitting that the book (out of print since the first edition in 1956) should close with select memories of the life and times at The Savage Club, London’s last bohemian rendezvous where Joe Batten concluded his life as he began it – accompanist to those spontaneous musical evenings which from the West End to the East were once such a feature of London Life.

Joe retired in 1950 but died five years later before his memoirs were published.

Joe Batten’s Book: The Story of Sound Recording is now available via Kindle Book Store: www. https://www.amazon.co.uk/dp/B007Q1U4RA

London 2012: The 1948 torch relay on a shoestring

By  Claire Heald for  BBC News, published 18 May 2011 

In 1948 two Olympic Torches were made by E.M.I Ltd, designed by Ralph Lavers and donated to the Organising Committee of the XIV Olympic Games. 

 John Mark runs in the Empire Stadium, Wembley, with the torch

Not the Duke of Edinburgh or athletics hero Sydney Wooderson, John Mark was the surprise last torchbearer in the ’48 Relay

Plans are under way for a 2012 Torch Relay spanning the UK. But what happened last time London staged one?

It was no 70-day extravaganza and it involved nothing like the 8,000 torchbearers that will carry the Olympic flame around the UK in 2012.

But the London 1948 Olympic Torch Relay was greeted with wild rejoicing and a mobbing of the torchbearer, even when he, (and they were all ‘he’) ran on by in the dead of night.

Ahead of London’s “Austerity Games”, organisers wanted to stage a relay to “capture the imagination of the public and the spirit of the Olympic torch”.

London 1948 Olympic Torch
 
1948 Olympic Torch (International Olympic Committee)
Torch was designed by EMI Ltd.

  • Made of aluminium
  • Designed by Ralph Lavers
  • 47cm long
  • 960g weight
  • 1,688 made for use across Europe and England
  • 1,416 runners
  • Covered 3,160km (1964 miles)
  • Last runner, John Mark, had a special stainless steel torch

The organising committee, led by Lord Burghley, decided to continue the pre-war tradition started by the Nazi regime at the 1936 Berlin Games to set up only the second torch relay of the modern Olympic Games.

It had to be delivered on a post-war budget. Britain was struggling in 1948, rationing would be in place for another six years.

“Things were pretty grim,”" says Terry Charman, senior historian at the Imperial War Museum. “Although the war had finished in 1945, Britain was still a very impoverished country in 1948.

“A lot of wartime conditions were still in place. Not just food rationing but clothes rationing, everything was in short supply.

“There were few cars, the petrol allowance was so small. It was a very grey time and a very bleak winter in 1947 set things back.

“People would have resented the Olympics if too much had been spent, with Britain in the fairly parlous state it was in.”

Britain could barely afford to stage the Games, let alone a torch relay, so its size, scope and the torch itself had to be affordable.

‘British craftsmanship’

Hold a 1948 Olympic torch and its simplicity is revealed – fairly hefty, a plain stem topped with a wide cup that held the burner. Forties-style capital letters spell out “With thanks to the bearer” and the Olympic rings are punched out on the bowl.

Its designer Ralph Lavers was tasked to create something “inexpensive and easy to make,” but still “of pleasing appearance and a good example of British craftmanship”.

The torches were made of aluminium, which was relatively cheap, and ran on solid fuel tablets, except the one for the final leg at the opening ceremony inside Wembley’s Empire Stadium.

It was stainless steel and housed a magnesium-fuelled flame designed to be easily visible by the watching crowds and cameras.

‘Thrilling’ role

On the A25, club runner Frank Verge, then 22, was waiting in the darkness to carry the torch on a two mile stretch between the Kent villages of Platt and Ightham.

His torch-bearing place was hard fought – he had taken on his older brother John in their club’s eight mile run and ignored his shouts of “ease up, you’ll burn out” as he broke away to win.

“They do say everybody has 15 minutes of fame in their life and I think that was mine,” he says of the 4.03am to 4.17am slot.

Frank Verge carrying the torch in 1948
Frank remembers hundreds of people lining the route…

“It was very exciting, the road was lined with what seemed like hundreds of people.”

“We had just gone through six years of war and I think the Olympic Games stood for more because it was a different kind of life – everyone was happy.

“I’ll never forget it, it was a great thrill.”

He handed over to the last runner in the stadium, relatively unknown quarter-miler John Mark, whose athletic good looks were controversially chosen over the favourite-but-bespectacled miler Sydney Wooderson or the widely-expected Duke of Edinburgh.

Frank Verge
…and says the memory is one he will keep for a lifetime
 
To read the whole article go to  BBC News
 

Revealed: the secrets of Captain Scott’s playlist

New album is compiled from gramophone recordings explorer took on ill-fated journey to the Antarctic

This article was written by Adam Sherwin published by The Independant,  Thursday 10 May 2012

 Huddled together inside their hut while blizzards raged outside, Captain Scott and his men found solace in the gramophone records of comical music hall hits, operettas and stirring anthems which the doomed explorer transported with him to the South Pole.

A century on, the original recordings that lifted spirits and prompted moist-eyed thoughts of home during Robert Falcon Scott’s ill-fated expedition are being released on Monday on an EMI album, compiled using the journals left by the expeditionaries.

When Scott embarked upon the Terra Nova expedition in 1910, he took with him two HMV “monarch” gramophones, donated by The Gramophone Company, which later became EMI, together with several hundred 78rpm discs, chosen to boost the team’s morale.

The 25 men who shared the hut played discs ranging from celebrity classical recordings to the most popular musical hall performers and hits from the latest musical shows.

One of the gramophones was kept with Scott in the Cape Evans base-camp hut, which survives in Antarctica today, with the other moved to the Northern Party’s smaller hut at Cape Adare.

Scott noted: “Meares has become enamoured of the gramophone. We find we have a splendid selection of records.”

Scott and his final four companions perished during a desperate return journey, after reaching the Pole in January 1912 only to find that a rival team led by Norwegian Roald Amundsen had beaten them to it by 33 days. But Scott’s gramophone was rescued and returned to the Gramophone Company – it is currently on display at a major exhibition about the expedition at the Natural History Museum – and the diaries kept by his team of scientists record the vital role the recordings played in lifting spirits.

A team of archive experts at Abbey Road transferred and mastered the original recordings from the EMI archive to produce the double album, released in June, called Scott’s Music Box. Some have dubbed the eclectic 48-track selection, “Captain Scott’s iPod”.

The musical tastes reflect a class divide. Tony Locantro, who compiled the sleeve notes for the CD, wrote: “The serving men of the Terra Nova generally liked the songs from the musicals, dance tunes and musical hall items, especially comic songs and sketches.

“The officers apparently preferred something more cultured like stirring ballads and operatic arias.”

Tracks range from “The Dollar Princess Two-Step” by Black Diamonds Band and “Stop Your Tickling Jock!” by Harry Lauder, to “Trafalgar March” by the Band of the Coldstream Guards and Enrico Caruso’s “Mattinata”.

EMI hopes the album will demonstrate the inspirational role music can play in people’s lives.

http://www.independent.co.uk/arts-entertainment/music/news/revealed-the-secrets-of-captain-scotts-playlist-7729182.html

If your interested in learning more about Captain Scott’s Gramophone check out EMI Group Archive Trust website http://www.emiarchivetrust.org

To see Captain Scott’s Gramophone and learn more visit  The Natural History Museum exibition ‘Scott’s Last Expedition’ 20 January – 2 September 2012 

http://www.nhm.ac.uk/visit-us/whats-on/temporary-exhibitions/scott-last-expedition//index.html