The History of Recorded Music trailer. Is this going to be the Forest Gump of documentaries?

The History of Recorded Music is a major documentary series that has had a long and eventful gestation and has been “in post production” for some time; a description which can cover a multiple of sins from a stage in the production process through to the shelving of a project for whatever reason. It aims to tell the story of both the evolution of technology and the industry. I was involved a little bit on a couple of occasions and I got to see what a complicated process it is to make this kind of television series especially as it required many many rights clearances. I also know just how much hard work – and money – a number of people have put into the project. I wish them luck in completing the series.
I do have a concern after watching the trailer (below) which I would like the producers to consider as they complete the work. The trailer presents the history of recorded music to be an almost entirely American story. I appreciate that trailers are made for specific audiences, but this one shows no interviews with people from outside the US, I spotted one clip of a UK act (The Beatles) and an Irish act (U2) and a couple of UK acts (Led Zeppelin, Radiohead) mentioned by the talking heads. And that’s it. 95%++ US only. It even says that Edison invented recording, a fact disputed by the story of the Phonautograph covered on this very site this very week! The USA did play the prominent part in the history of recorded sound, but there is a big world out there beyond their national borders and a lot of interesting and significant stories in the history of recorded music; from Gaisberg to Blumlein to George Martin to Sex Pistols to Kraftwerk to Techno Music to Classical Music (which drove a lot of recording technology innovation) to mention just a few Euro-centric tales. I hope the documentary finds time to include some of them. My biggest frustration with Forest Gump is that the music back drop chosen to represent the 60’s and 70’s included very little if any non-American music. It irritates me so much that I can’t watch the movie because of its one-eyed approach. I hope the documentary itself when it gets completed does not repeat that mistake.

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