Tag Archives: 2012

By Wayne Shevlin My previous blog on SOTH—Century of Spinning Plastic Discs—was an abstract musing on the nature of musical records as historical artefacts.  It was originally written a few years ago, back when the great music emporiums—HMV, Virgin and Tower—still presided imperiously over the high street.  Opening salvo of 2013: that abstract musing isContinue reading “Spinning Discs – Postscript”