Hover your cursor over the Recording Studios item on the menu strip (above) and choose a Studio to go to. Currently showing Joe Meek in 1961, Bob Dylan in Columbia Records Studio A in 1963, Abbey Road Studio 3 in 1973 at the time of Pink Floyd’s Dark Side of The Moon, Trident Studios, where David Bowie recorded Ziggy Stardust, in the 1970’s and Olympic Studios in 2008 with U2 recording the last session before the studios sadly close.
Paris was clearly the centre of the world in the early days of sound recording. It was there that Leon Scott de Martinville invented his Phonautograph to capture sound onto paper in 1857 and 20 years later Charles Cros took the process forward by working out how to record sound onto a cylinder by tracing oscillations using a screw. In April 1877 he wrote a paper describing his thesis and submitted it in a sealed envelope to the Academy of Science in Paris. Before he got a chance to build a prototype, a hard working inventor by the name of Thomas Edison living thousands of miles away in the USA beat him to it. Edison had been independently considering the same problem and in late 1877 he built a machine that recorded and played back sound which he called a Phonograph. Edison became world famous whilst Charles Cros is largely forgotten. Cros died 11 years later at the age of 46.
Bizarrely this was the second time that Cros had failed to gain recognition for a significant invention by being slow on the draw. In 1869 he had invented a way of taking colour photographs for the first time but took several months to submit his ideas to Société française de photographie. When he did get around to it, he discovered that a rival called Ducos de Hauron who had been developing his own method of taking colour photographs had submitted his own ideas that very day. And although De Hauron had discovered his method several months after Cros, the rival had built a device that could take colour snaps and produced examples whereas Cros’s ideas remained only theory. And like Edison in sound, De Hauron is now widely remembered as the inventor of colour photography….
Perhaps Cros was an ideas man who was less gifted at executing them or perhaps the reason that Cros never got round to building his imagined recording machine (which when he eventually did he would call the Paleophone) until some time later was that he was living a pretty full on rock and roll lifestyle. Paris was the cultural capital of the world in the 1860’s and 1870’s and Cros was a significant player in artistic circles. He was a poet who wrote strange and proto-surrealistic poems (his best known is The Kippered Herring), ran around town with Verlaine and Manet and even shared an apartment with Rimbaud for a while. Cros was fond of a good drink and Absinthe was his tipple of preference; a choice that may have contributed to his early death. He was a member of a group of artists who called themselves the Hydropathes and published a newspaper of that name. They were precursors to the Surrealists. The newspaper featured an illustration of Cros on one of their covers in which (looking spookily like Bob Dylan) he rides a fish (presumably a herring) carrying a bag of inventions over his shoulder as he hunts ideas with a butterfly. Seems to sum the man up!
Cros also had some crazy ideas about interplanetary communication which you can read about in this interesting blog article .