HIS MASTER’S GRAMOPHONE, part 5

Today we publish the fifth and final in our series of extracts from this fine new book, with kind permission from its creators Christopher Proudfoot and Brian Oakley. While the gramophone horn was a wonderful piece of design and construction and served its purpose well during the early years, when it came to portability itContinue reading “HIS MASTER’S GRAMOPHONE, part 5”

Paul Robeson sharing his latest hit with Nipper’s friend….

By Tony Locantro Robeson began his recording career in July 1925 with RCA Victor in Camden. When he moved to London after playing in Show Boat at Drury Lane in 1928 he recorded extensively for HMV (actually The Gramophone Company) up to World War II. He made only the one side for British Columbia: ‘Ol’Continue reading “Paul Robeson sharing his latest hit with Nipper’s friend….”

HIS MASTER’S GRAMOPHONE, part 4

From functional to luxury. Within a short 3-4 years the Gramophone became the status symbol of the age, so inevitably the designers determined to take advantage of the privileged market by creating machines that were not only wonderful pieces of furniture, but also hid the rather cumbersome horn. Enter the Sheraton Grand, the first enclosedContinue reading “HIS MASTER’S GRAMOPHONE, part 4”

Anyone Who Had A Heart…..

Watch our friends from the Vinyl Factory in Hayes press a special limited edition record of Cilla Black’s Anyone Who Had A Heart on “The One Show” Friday 16th March Cilla Black and Paul McGann join Chris Evans and Alex Jones on the One Show sofa.

HIS MASTER’S GRAMOPHONE, part 3

As interest in the gramophone increased, so did the ingenuity of the Gramophone Company’s technicians. Outside the limits of most people’s finances, these machines were still largely owned by the wealthy, so how to bring all this wonderful recorded music to the mass public?     The early machines and discs were incapable of fillingContinue reading “HIS MASTER’S GRAMOPHONE, part 3”

HIS MASTER’S GRAMOPHONE, part 2

With kind permission of its creators Christopher Proudfoot and Brian Oakley we continue our series of extracts  from “His Master’s Gramophone”  … Introducing the Single Spring Monarch Style No.11 In production from 1901-1905, this machine was specially designed to play the newly introduced 10” Concert recordings issued in 1901. Costing £10 in 1901, the price wasContinue reading “HIS MASTER’S GRAMOPHONE, part 2”

HIS MASTER’S GRAMOPHONE

   PART 1 We made mention of this fine new hardback book a few months back, but feel it deserves more attention, and so, with the kind permission of its creators Christopher Proudfoot and Brian Oakley, we’re starting a series of extracts to give/remind you of the first golden era of  recorded music and theContinue reading “HIS MASTER’S GRAMOPHONE”

Classical Music Sells Millions Of Records!!!

Times are tough in the recorded music business with sales revenues declining significantly and regularly this century. Times are particularly tough in the classical music part of that business with its decline outpacing the market at large. John Culshaw and Solti (in Plimsoll’s) in the Studio working on The Ring. We’ve been reading Norman Lebrecht’sContinue reading “Classical Music Sells Millions Of Records!!!”

Publicity photos of the early Gramophone stars #4:Louise Kirkby Lunn. Northern Lass.

This is the fourth in a series of publicity shots from the early years of the recording business that our friends at the EMI Archive Trust have made available to us. This photo is of Madame Kirkby-Lunn (known to her friends as Louise) who was a Mancunian contralto who lived between 1873 and 1930. ThisContinue reading “Publicity photos of the early Gramophone stars #4:Louise Kirkby Lunn. Northern Lass.”