Setting up a record company #5: Perfecting the gramophone

This week we plan to tell the story of how Emile Berliner and Fred Gaisberg set up their record company in America. Seven blog entries on seven days. This is day #5. Its 1895. Whilst Berliner is perfecting the shellac disc and Fred Gaisberg is on the road raising money for the new gramophone business,Continue reading “Setting up a record company #5: Perfecting the gramophone”

Setting up a record company #4: Making better records

This week we plan to tell the story of how Emile Berliner and Fred Gaisberg set up their record company in America. Seven blog entries on seven days. This is day #4. We’ve reached 1895 and whilst Gaisberg and Karns are on the road trying to find investors for the new gramophone business, Emile BerlinerContinue reading “Setting up a record company #4: Making better records”

Setting up a record company #3: Raising finance

This week we plan to tell the story of how Emile Berliner and Fred Gaisberg set up their record company in America. Seven blog entries on seven days. This is day #3. Its 1894. Berliner has developed the gramophone to a degree that it’s ready for market. Fred is on board to make demo recordingsContinue reading “Setting up a record company #3: Raising finance”

Setting up a record company #2 Finding the right artists

This week we plan to tell the story of how Emile Berliner and Fred Gaisberg set up their record company in America. Seven blog entries on seven days. This is day #2. Its 1893.Fred Gaisberg has joined Emile Berliner in his attempt to bring his new invention, the gramophone, to the market. It meant FredContinue reading “Setting up a record company #2 Finding the right artists”

Setting up a record company: #1 Get the technology right

When William Barry Owen and Trevor Williams shook hands to establish the UK’s first record company, The Gramophone Company, in 1897 they sent for Fred Gaisberg, an American “recording expert” to come over to England to help them by setting up the recording department and the UK’s first recording studios in Maiden Lane. Fred’s involvementContinue reading “Setting up a record company: #1 Get the technology right”

HMV 363 Oxford Street

This was the Daddio of record shops. HMV 363 Oxford Street, London in the late 1950’s: The shop plays a part in The Beatles story. HMV, which was then part of EMI, had a small recording studio that members of the public could record songs for their sweethearts. In February 1962 Brian Epstein was inContinue reading “HMV 363 Oxford Street”

Publicity photos of the early Gramophone stars #2 Albert and ‘is old Dutch

This is the second in a series of publicity shots from the early years of the recording business that our friends at the EMI Archive Trust have made available to us. These two photos are of Abert Chevalier who was a comedian, actor and music hall star at the turn of the last century. HeContinue reading “Publicity photos of the early Gramophone stars #2 Albert and ‘is old Dutch”

“No place for a woman in a recording studio”. Delia Derbyshire denied by Decca invents (soundtrack to) time travel.

There are not that many prominent women in the history of recorded sound. Indeed there are not that many women working in recording studios even today. Boffins and creatives have tended to have the odd Y chromosone or two. The recording studio can be like a gang hut. A step from Lord of the FliesContinue reading ““No place for a woman in a recording studio”. Delia Derbyshire denied by Decca invents (soundtrack to) time travel.”

We’ve been adding some new photos to our Recording Studios section: Dylan, Ziggy, U2, Joe Meek, Floyd

Hover your cursor over the Recording Studios item on the menu strip (above) and choose a Studio to go to. Currently showing Joe Meek in 1961, Bob Dylan in Columbia Records Studio A in 1963, Abbey Road Studio 3 in 1973 at the time of Pink Floyd’s Dark Side of The Moon, Trident Studios, whereContinue reading “We’ve been adding some new photos to our Recording Studios section: Dylan, Ziggy, U2, Joe Meek, Floyd”