In the early ’60s, pioneering British composer Daphne Oram set out to create a synthesizer unlike any other, she called it the Oramics machine Commissioned by The Science Museum, London. Directed, Produced, Filmed and Edited by Nick Street and Jen Fearnley. Science Museum Oramics to Electronica: Revealing Histories of Electronic Music Until Saturday 01 DecemberContinue reading “Daphne Oram’s 1960’s Optical Synthesizer Oramics Machine – Electronic Music Pioneer”
A brief guide to mastering and the EMI TG12410 mastering console.
By Brain Kehew This mixer is the oldest-known EMI recording desk in existence. It was a bespoke design made for Abbey Road studios (then called the EMI Recording Studios Ltd.) When the studio complex was young, there was very little commercially-made studio equipment; so studios built their own. This desk is an early example ofContinue reading “The oldest-known EMI recording desk”
By Roger Neil I found this interview with Guglielmo Marconi in Leslie Baily’s BBC Scrapbooks. It was conducted in 1896 shortly after Marconi had installed a transmitter on the roof of the GPO and a receiver in a building on the Thames Embankment, 500 yards away. “Was the message quite clearly received?” asked theContinue reading “The arrival of wire-less”
and a little worse for wear following the success of the “The Artist” at the 84th Annual Awards ceremony……otherwise known as the Oscars a special congratulations to fellow canine Uggie…Sir we raise our paw to you!!
Britain had developed a strong Reggae culture of its own by the mid-1970’s. Reggae, and its predecessors like Ska, naturally seeped into the UK via the communities of immigrants who had come to the country from Jamaica since the late 1940’s. Britain’s pop tendencies have often been to take music from the west (usually America)Continue reading “The strange origin of the UK Reggae big bass sound: John Hassell Recordings, Barnes.”